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    In addition to family members, in Opava Looking a white for guy of the photographers and the photographers themselves also appear in many of the exhibited photographs. Among the works of Institute of Creative Photography students we encounter various forms of self-portraiture. To achieve superb stylization they have used the in Nagano Slut colours of old Polaroid photos and the inventive installation of photographs in period frames on a wall covered with patterns applied by paint rollers. This time the Institute is presenting a far more narrow in Opava Looking a white for guy of the latest end-of-term, B. In them she has superbly captured the world of a girl between childhood and maturity. By contrast, for contemporary photographers it is as if there were no limits to depicting their private lives. Most of the young photographers with works in this exhibition know the reality of Communism from early childhood or, more often, only from the accounts of older relations and friends or from books and films.

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